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"Atomic Attack," an adaptation of a popular novel of the day (more subtly titled "Shadow on the Hearth") broadcast on a "Playhouse 90"-type show in the fifties serves as a kind of early missing link between the two eras. There is a scene in the program where the lead character, a housewife played by Phyllis Thaxter, is doing her chores. Everything appears calm and normal when suddenly sirens start sounding and the wind starts blowing. Thaxter looks out her kitchen window in horror and then runs frantically through her house calling out for her children. As she realizes that her family is not yet home and may be dead, her face reflects her inner terror. A moment later Thaxter hesitantly opens a door and slowly descends a staircase to an unseen shelter. It is a chilling moment that transcends the years.
The scene still resonates with the modern viewer because Thaxter's character suggests the archetypal '50s sitcom mom—the one we all watched in re-runs growing up. There is a powerful feeling of dread in seeing this brief scene because we are witnessing an ideal of American motherhood - Donna Reed, if you will - confronting nuclear holocaust. And, worse yet, NEXT >
INTRODUCTION | SHADOW ON THE HEARTH | NEW NEIGHBORS | THE UNCORKED BOTTLE AND MAGICAL CHILDREN | FALLOUT | ANTHOLOGY PROGRAMS | SITUATION COMEDIES | OTHER PROGRAMS |
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